Ted Nemeth (1911-1986) was an early animation pioneer and cinematographer, who served in the latter capacity on Jim Henson's short film Time Piece. As Frank Oz recalled in a 2001 FilmForce interview, "Jim would scrape enough money up through commercials and we would go out shooting on weekends with Ted Nemeth, who had an old 35mm rackover camera." 
Early in his career, Nemeth had been working on commercial advertising and documentary projects when, in 1933, he served as camerman on Rhythm in Light, an experimental short by Mary-Ellen Bute, who he would soon wed. The couple, sometimes in collaboration with Norman McLaren (future auteur with The National Film Board of Canada), produced a number of experimental avant-garde animated shorts, between the 1930s and the 1950s. He later provided cinematography for Bute's 1966 film version of Finnegan's Wake, which she wrote and directed. Nemeth had a particular keen eye for color, reflected in the tones which adorn Time Piece, but even moreso in the 1969 short film Rama, for which he developed a new color photography technique, using filters to create a pastel watercolor look.