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Main stage. Kermit enters.
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Kermit |
OK, ladies and gentlemen. Uh, tonight we thought we'd give Fozzie Bear a rest …
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Statler |
You're not giving him a rest, you're giving us a rest.
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He and Waldorf chuckle. Kermit scowls.
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Kermit |
Yeah. OK, uh, be that as it may, substituting for Fozzie tonight is our special guest star Mr. Bruce Forsyth.
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The curtain opens to Fonzie's fanfare. Bruce takes the stage.
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Bruce |
Thank you so much. Thank you. And may I say, you look a wonderful audience.
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Waldorf |
Don't be too sure. We haven't heard your jokes yet.
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They chuckle.
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Bruce |
Sir, you're old enough to have heard my jokes, Bob Hope's jokes and Milton Berle's. In fact, if you've heard Milton Berle's jokes, you've heard everybody's jokes.
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Statler |
Same old stuff. We want new blood!
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Bruce |
Yeah, well, you certainly look as though you could use some. Why don't you go to the blood bank and cash an artery?
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Waldorf |
Good. Good stuff.
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Statler |
Well, I've heard better.
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Bruce |
I'm sure you have, sir. In fact, at your age you're lucky you can hear at all. (laughs) Only kidding. Only kidding. You've probably got a great sense of humor. In fact, I know you have. I saw your wife outside.
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Waldorf |
(laughs)
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Statler |
Oh. Oh, he's burying me. He's burying me.
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Bruce |
All right. But you know, one thing I like about our two countries at the moment is we do have this cultural exchange going on. I mean, we send you lots of our drama shows like Upstairs, Downstairs, The Six Wives of Henry VIII, um, The Forsyth Saga - and by the way, I thought Eric Porter played my life brilliantly. Ha. I was going to play the part myself, but they said I wasn't the type. And uh, then of course you send us your drama shows like Columbo, Starsky and Hutch, Police Woman. They're not Shakespeare perhaps, but just as violent. Haha. By the way, thank you for Kojak. He's made such a big hit in our country. He's such a sportsman. Goes to Scotland, plays golf, and he's also a good tenpin bowler — got the head for it. But he gets very annoyed at the bowling alley 'cause people keep sticking their fingers up his nose. (laughs) Got to be a split. Anyway, don't let's talk about him. Let's get back to me. Ladies and gentlemen —
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Fozzie |
Excuse me, uh, Mr. Forsyth.
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Bruce |
Oh, please, please call me Bruce.
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Fozzie |
Oh!
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Bruce |
Ladies and gentlemen, the one and only Fozzie Bear. Hey hey!
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Waldorf |
Yeah, thank heavens there's only one.
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They chuckle.
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Fozzie |
Aw. See — see those guys up there? The minute I come out, they start up.
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Bruce |
Don't worry. Don't worry.
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Fozzie |
They do. They do.
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Bruce |
Do you see the box they're in?
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Fozzie |
Yeah.
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Bruce |
I may decide to bury them together.
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Waldorf |
(laughs)
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Fozzie |
Oh! Oh, that's — boy, see how he handles them? See? I was, I was watching in the wings over there.
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Statler |
Yeah, well, why don't you flap them and fly outta here? (they chuckle)
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Fozzie |
Ho, ho!
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Bruce |
Look, you can handle those two.
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Fozzie |
Well …
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Bruce |
You can do it. All you need, all you need is a bit of pacing, a bit of timing.
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Fozzie |
Yeah?
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Bruce |
The right retort. The right line.
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Fozzie |
Oh?
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Statler |
Oh, he couldn't throw a line to a drowning man.
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They chuckle.
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Fozzie |
Uh … Uh …
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Bruce |
Go on.
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Fozzie |
OK, uh … do you mind? We work alone. That is, uh, unless we work together. How's that?
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Bruce |
A little soft, Fozzie.
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Fozzie |
Awww.
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Bruce |
(points to his own neck) Go for the jugular vein, there. Go right in.
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Fozzie |
Right there? OK.
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Bruce |
Go on, yeah.
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Fozzie |
Uh, Uh — Oh! Oh! Uh, hey, is that a suit you're wearing? It's a nice one, yeah, but won't your wife notice the hole in the living-room rug? (rimshot)
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Bruce |
That's good. Now you're rolling. Go in for the kill. Go in for the kill.
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Fozzie |
Hey, that's some nose you got there, buster. Why don't you rent yourself out as an anteater? (rimshot)
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Bruce |
I like it.
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Fozzie |
Oh, yeah. Oh, yeah. Oh, yeah. Oh, yeah.
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Bruce |
Quit while you're ahead. Quit while you're ahead.
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Fozzie |
You call that a head? I've seen better heads on cabbages. (rimshot)
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Bruce |
(concerned) You don't want to lose your audience.
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Fozzie |
You — you call that an audience? It looks more like an oil painting. (rimshot) Aah!
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Bruce |
You've got 'em! Believe me, you've got 'em!
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Fozzie |
Got 'em? Who wants 'em? Who wants 'em?
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Statler and Waldorf wave a white flag.
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Statler |
No, no! Enough, enough!
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Waldorf |
We surrender! We surrender!
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Statler |
No more, no more!
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Bruce |
You did it, Fozzie!
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Fozzie |
(overjoyed) Ah! I did! Bruce, I did it. Oh, I did it! I did! Oh! Oh! Oh! Bruce, this is the happiest moment of my life! Oh, just, just learning from a pro like you. Working side by side with one of the greats.
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Music swells up.
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Bruce |
You even learned how to cue the big musical finish to the comedy spot. You did.
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Fozzie |
Yeah?
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Bruce |
Yeah.
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Fozzie |
All right.
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Bruce |
(sings) Oh, we ain't got a barrel of money.
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Fozzie |
(sings) Maybe we're ragged and … funny!
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Fozzie and Bruce |
But we travel along, singing a song …
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Fozzie |
Thank you, Mr. Forsyth.
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Bruce |
It's my pleasure, Mr. Bear.
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Fozzie |
Hey!
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Fozzie and Bruce |
We travel along, singing a song,
Side … by … side!
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Fozzie wiggles his ears as Bruce waves his hands.
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Bruce |
I like the ears. Keep the ears going. They love it. Listen to that.
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The curtain closes. Fozzie re-emerges, while Bruce tries to restrain him.
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Fozzie |
Thank you. Thank you. Thank you. Thank you.
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