Ad blocker interference detected!
Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers
Wikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.
Bil Baird (1904-1987) was a puppeteer best known for his "Baird Marionettes", who appeared on Broadway (including his production of Man in the Moon at the Biltmore Theatre), television (in series such as The Whistling Wizard, spotlighting Charlemane the lion) and in films like The Sound of Music. For the latter, Baird and wife Cora designed, performed, and choreographed the "Lonely Goatherd" sequence.
Jerry Nelson, Faz Fazakas, and Olga Felgemacher all worked with Baird early on, and Baird collaborated with Jim Henson on a number of other ocassions, such as on Here Come the Puppets. Baird's son Peter Baird performed, uncredited, in The Muppets Take Manhattan.
The Value of Imagination, a juvenile biography of Jim Henson, claimed that as a child, Henson watched Baird's TV series Life with Snarky Parker and claims that it was an influence on his decision to go into puppetry. This is demonstrably false, as evidence by a 1982 Cinefantastique interview with Judy Harris. Harris asked if Snarky Parky was an influence. Henson responds, "I don't think I ever saw that show." Harris goes on to ask "if Snarky Parker had rubbed off on you and that's where you got your initial inspiration for your first puppets?" Henson elaborates:
- A rendition of Bairds' "The Lonely Goatherd" marionette sequence from The Sound of Music was performed in The Muppet Show episode 217. The staging closely resembles Baird's.
- In the final "Land of Gorch" sketch, which aired on Saturday Night Live on September 8, 1976, King Ploobis assures his troupe that they have been resurrected "as it was predicted and spoke of in the great book." Not the Bible, as Scred assumes, but Bil Baird's Book of Puppetry.
- ↑ Baird, Bil. The Art of the Puppet. New York: Macmillan, 1965. p. 239.