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An excitable caricature of a French filmmaker, the self-proclaimed genius producer bellows through a megaphone, suggesting that Ace Hart struggle with his own mortality. The film gradually shifts from a mixture of Ingmar Bergman and the French avant-garde to Jerry Lewis-style slapstick. Unable to abide the heavyhanded producer's meddling and insistance that Ace will do whatever the "genius" commands, Eliot rebels and has the foreign auteur tossed out by Bowser.