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It has also been used in creating the [[Sesame Street Theme|Sesame Street openings]] since [[1992]], and for a time helped to create the "[[Journey to Ernie]]" segments. These techniques are used to help [[Bert]] dance when he's "[[Doin' the Pigeon]]," and brought [[Baby Tooth and the Funky Funk]] to life.
 
It has also been used in creating the [[Sesame Street Theme|Sesame Street openings]] since [[1992]], and for a time helped to create the "[[Journey to Ernie]]" segments. These techniques are used to help [[Bert]] dance when he's "[[Doin' the Pigeon]]," and brought [[Baby Tooth and the Funky Funk]] to life.
   
<gallery orientation="landscape" bordersize="none" captionalign="left">
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<gallery orientation="landscape" bordersize="none" widths="209" spacing="small">
 
Image:Sesame-english-open.jpg|The opening theme for ''[[Sesame English]]''
 
Image:Sesame-english-open.jpg|The opening theme for ''[[Sesame English]]''
Image:ProfHastingsBodyParts.jpg|Kermit the Frog helps [[Professor Hastings]] discuss parts of the body.
+
Image:ProfHastingsBodyParts.jpg|Kermit the Frog helps [[Professor Hastings]] discuss parts of the body.
  +
Image:Round_Objects.JPG|Kermit tries to demonstrate what round is, with the help of a wisecracking ball.
Image:Sammythesnake.jpg|[[Sammy the Snake]]
 
  +
Image:ErnDressesBalls.JPG|Ernie wonders what it would be like if everyone was exaclty the same with an help from four balls.
 
Sammythesnake.jpg|[[Sammy the Snake]]
 
Image:Song.pigeon.jpg|"[[Doin' the Pigeon]]"
 
Image:Song.pigeon.jpg|"[[Doin' the Pigeon]]"
 
Image:Ernie_moon_1.jpg|[[Ernie]] swims...
 
Image:Ernie_moon_1.jpg|[[Ernie]] swims...
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Image:ElmoPrairie.Space.jpg|Elmo and [[Prairie Dawn]] are weightless as astronauts. {{eka|2939}}
 
Image:ElmoPrairie.Space.jpg|Elmo and [[Prairie Dawn]] are weightless as astronauts. {{eka|2939}}
 
Image:Elmo_imagination.jpg|"[[In Your Imagination]]"
 
Image:Elmo_imagination.jpg|"[[In Your Imagination]]"
  +
Image:SSCredits1992.jpg|Elmo hangs on to some balloons in the 1992 closing credit sequence.
 
Image:Elmofullbody-HoldMyHand.jpg|[[Elmo]] stands on a street corner in "[[Hold My Hand]]."
 
Image:Elmofullbody-HoldMyHand.jpg|[[Elmo]] stands on a street corner in "[[Hold My Hand]]."
 
Image:Zoe_says.jpg|Elmo and [[Zoe]] play "Zoe says".
 
Image:Zoe_says.jpg|Elmo and [[Zoe]] play "Zoe says".
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File:Will_i_am_rosita.jpg|Super Grover, Elmo, [[Rosita]], and Abby dance in "[[What I Am]]"
 
File:Will_i_am_rosita.jpg|Super Grover, Elmo, [[Rosita]], and Abby dance in "[[What I Am]]"
 
ElmoGotDaMOVES.jpg|Elmo and Abby in "[[Elmo's Got the Moves]]"
 
ElmoGotDaMOVES.jpg|Elmo and Abby in "[[Elmo's Got the Moves]]"
  +
Image:SSCredits2009.jpg|Various Muppets, including Elmo, dance in the 2009 closing credits sequence.
 
</gallery>
 
</gallery>
 
''See Also:'' [[Elmo Variants]]
 
''See Also:'' [[Elmo Variants]]
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On occasion, sketches on ''The Muppet Show'' which used “Bunraku” techniques did not always effectively hide the puppeteer. During the “[[Disco Frog]]” and “[[Octopus' Garden]]” numbers, performers briefly become visible on screen.
 
On occasion, sketches on ''The Muppet Show'' which used “Bunraku” techniques did not always effectively hide the puppeteer. During the “[[Disco Frog]]” and “[[Octopus' Garden]]” numbers, performers briefly become visible on screen.
   
<gallery orientation=landscape>
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<gallery orientation="landscape" widths="209" spacing="small">
 
Image:Danceros.jpg|"[[The Danceros]]"
 
Image:Danceros.jpg|"[[The Danceros]]"
 
Image:Snerfs_spanish_town.jpg|"[[In a Little Spanish Town]]" ([[Snerfs]] also combine rod and finger puppets)
 
Image:Snerfs_spanish_town.jpg|"[[In a Little Spanish Town]]" ([[Snerfs]] also combine rod and finger puppets)
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For the [[Creature Shop]] film ''[[The Adventures of Pinocchio]]'', several different puppets were built to create the illusion of a puppet who had cast off his strings. One of these, considered one of the most difficult puppeteering tasks on the film, was a rod puppet based on Bunraku puppets. Up to five puppeteers would perform the character, oftentimes each puppeteer would be responsible for only one limb at a time. This version of the character was shot against a blue screen with the control rods all painted blue and the puppeteers dressed in blue body suits. Director [[Steve Barron]] spoke of the advantages of this puppet, explaining, "[[John Stephenson]] told me that we'd have to get the puppeteers as close to the body of the puppet as we could, and he was right. We had them six inches away from a leg or arm, and their performances were superb. But as we gave them longer rods or cables, then we lost all the subtlety." <ref>''[[No Strings Attached]]'' p.161</ref>
 
For the [[Creature Shop]] film ''[[The Adventures of Pinocchio]]'', several different puppets were built to create the illusion of a puppet who had cast off his strings. One of these, considered one of the most difficult puppeteering tasks on the film, was a rod puppet based on Bunraku puppets. Up to five puppeteers would perform the character, oftentimes each puppeteer would be responsible for only one limb at a time. This version of the character was shot against a blue screen with the control rods all painted blue and the puppeteers dressed in blue body suits. Director [[Steve Barron]] spoke of the advantages of this puppet, explaining, "[[John Stephenson]] told me that we'd have to get the puppeteers as close to the body of the puppet as we could, and he was right. We had them six inches away from a leg or arm, and their performances were superb. But as we gave them longer rods or cables, then we lost all the subtlety." <ref>''[[No Strings Attached]]'' p.161</ref>
   
<gallery orientation="landscape" bordersize="none" captionalign="left">
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<gallery orientation="landscape" bordersize="none" widths="209" spacing="small">
 
Image:Richard_bunraku.JPG|Richard Hunt acts "nutty" with [[squirrels]] for a scene in ''[[Emmet Otter's Jugband Christmas]]''.
 
Image:Richard_bunraku.JPG|Richard Hunt acts "nutty" with [[squirrels]] for a scene in ''[[Emmet Otter's Jugband Christmas]]''.
 
Image:Yancey.JPG|[[Yancy Woodchuck]] sings "[[Barbecue]]" in ''Emmet Otter's Jugband Christmas''.
 
Image:Yancey.JPG|[[Yancy Woodchuck]] sings "[[Barbecue]]" in ''Emmet Otter's Jugband Christmas''.
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Image:Muppets2011Trailer01-1920 14.jpg|Fozzie wearing "[[Whoopee cushions|fart shoes]]" in ''The Muppets''
 
Image:Muppets2011Trailer01-1920 14.jpg|Fozzie wearing "[[Whoopee cushions|fart shoes]]" in ''The Muppets''
 
Image:scootersweeping.jpg|[[Scooter]] sweeping [[the Muppet Theater]] in ''The Muppets''
 
Image:scootersweeping.jpg|[[Scooter]] sweeping [[the Muppet Theater]] in ''The Muppets''
  +
M11-GonzoBoxes.png|Gonzo rides on boxes in ''The Muppets''
 
  +
MMW-S&W-LA-UnionStation-(2014).jpg|Statler & Waldorf in a ''[[Muppets Most Wanted]]'' commercial
 
</gallery>
 
</gallery>
   
 
==''[[Fraggle Rock]]''==
 
==''[[Fraggle Rock]]''==
<gallery orientation=landscape>
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<gallery orientation="landscape" widths="209" spacing="small">
 
Image:Gobo_red_bridge.jpg|"[[The Lost Treasure of the Fraggles]]": [[Gobo]] and [[Red]] cross a ledge during their journey to find the [[Treasure of Fraggle Rock|treasure]].
 
Image:Gobo_red_bridge.jpg|"[[The Lost Treasure of the Fraggles]]": [[Gobo]] and [[Red]] cross a ledge during their journey to find the [[Treasure of Fraggle Rock|treasure]].
 
Image:Gobo_slide.jpg|"[[A Friend in Need]]": Certain shots of Gobo on [[the Ultimate Slide]].
 
Image:Gobo_slide.jpg|"[[A Friend in Need]]": Certain shots of Gobo on [[the Ultimate Slide]].
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The ''Jim Henson Hour'' special ''[[The Song of the Cloud Forest]]'' marked the first time that the Henson Company shot an entire half hour show without a background. Instead, the set and all performers were hidden in black velvet. The velvet backdrop was then replaced, using computer technology, with a bright, colorful rain forest. <ref>[http://www.youtube.com/watch?v=aGDjon5EfX8 Behind the Scenes of "Song of the Cloud Forest"]</ref>
 
The ''Jim Henson Hour'' special ''[[The Song of the Cloud Forest]]'' marked the first time that the Henson Company shot an entire half hour show without a background. Instead, the set and all performers were hidden in black velvet. The velvet backdrop was then replaced, using computer technology, with a bright, colorful rain forest. <ref>[http://www.youtube.com/watch?v=aGDjon5EfX8 Behind the Scenes of "Song of the Cloud Forest"]</ref>
   
<gallery orientation=landscape>
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<gallery orientation=landscape widths=209 spacing=small>
 
Image:Aquaticlife4.jpg|''[[The Karate Kid|Karate Squid 3]]''
 
Image:Aquaticlife4.jpg|''[[The Karate Kid|Karate Squid 3]]''
 
Image:Man_eater_2.jpg|"[[Maneater]]"
 
Image:Man_eater_2.jpg|"[[Maneater]]"
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==''[[Muppets Tonight]]''==
 
==''[[Muppets Tonight]]''==
<gallery orientation=landscape>
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<gallery orientation=landscape widths=209 spacing=small>
 
Image:Once_in_a_lifetime.jpg|"[[Once in a Lifetime]]"
 
Image:Once_in_a_lifetime.jpg|"[[Once in a Lifetime]]"
 
Image:Dancing grandmas.jpg|[[The Dancing Grandmas]]
 
Image:Dancing grandmas.jpg|[[The Dancing Grandmas]]
 
Image:Opposites_attract_apt.jpg|"[[Opposites Attract]]" ([[Clifford]], Bossmen, Clodhoppers)
 
Image:Opposites_attract_apt.jpg|"[[Opposites Attract]]" ([[Clifford]], Bossmen, Clodhoppers)
  +
Image:MT_pigs_in_space_apt.jpg|[[Pigs in Space: Deep Dish Nine]]: Gravity
  +
Image:MT_kermit_apt.jpg|[[Episode 207: Dennis Quaid|Episode 207]]: Kermit walks to meet his [[Gilbert Gottfried|date]].
 
</gallery>
 
</gallery>
   
 
==Appearances and Commercials==
 
==Appearances and Commercials==
<gallery orientation=landscape>
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<gallery orientation=landscape widths=209 spacing=small>
  +
Image:CloverlandDairy.jpg|[[Cloverland Dairy]] spot
 
Image:Octopus.JPG|"Octopus' Garden" as performed on ''[[The Ed Sullivan Show]]''
 
Image:Octopus.JPG|"Octopus' Garden" as performed on ''[[The Ed Sullivan Show]]''
 
Image:Wipe_out.jpg|[[Animal]] swims, dances, and surfs in the "[[Wipe Out]]" music video
 
Image:Wipe_out.jpg|[[Animal]] swims, dances, and surfs in the "[[Wipe Out]]" music video
  +
Image:Kermit-in-Berlin-BerlinWalkOfFame-(1999-12-07).jpg|[[Kermit the Frog|Kermit]] flipper-printing for the Sony Center's "Berlin Walk of Fame" at Potsdamer Platz, [[Berlin]], [[Germany]], on December 7, 1999
Image:Kermit's50thAnniversaryTour-RockettesOpeningNightReader-(2005-11-04).jpg|[[Kermit]] at [[Radio City Music Hall]] as opening night reader for [[the Rockettes]] during his [[Kermit's World Tour|50th Anniversary World Tour]]
+
Image:Kermit's50thAnniversaryTour-RockettesOpeningNightReader-(2005-11-04).jpg|Kermit at [[Radio City Music Hall]] as opening night reader for [[the Rockettes]] during his [[Kermit's World Tour|50th Anniversary World Tour]]
 
Image:Piggy_hollywood_bowl.jpg|[[Miss Piggy]] at the [[Hollywood Bowl]]
 
Image:Piggy_hollywood_bowl.jpg|[[Miss Piggy]] at the [[Hollywood Bowl]]
 
Image:Piggy_pizza.jpg|"[[These Boots Are Made for Walkin'|These Bites Are Made for Poppin']]" [[Pizza Hut]] commercial
 
Image:Piggy_pizza.jpg|"[[These Boots Are Made for Walkin'|These Bites Are Made for Poppin']]" [[Pizza Hut]] commercial
 
Image:Ready_to_learn_1.jpg|[[Ready to Learn]]: ''[[Superman]]'' parody
 
Image:Ready_to_learn_1.jpg|[[Ready to Learn]]: ''[[Superman]]'' parody
 
Image:Ready_to_learn_2.jpg|Ready to Learn: ''[[Mission: Impossible]]'' parody
 
Image:Ready_to_learn_2.jpg|Ready to Learn: ''[[Mission: Impossible]]'' parody
  +
Image:BenFoldsFive-RedFraggleDancing.png|[[Red Fraggle]] dances in [[Ben Folds Five]]'s music video "[[Do It Anyway]]"
 
</gallery>
 
</gallery>
   

Revision as of 23:47, 29 July 2014

Bunraku2 edited

A performer dressed in black velvet, filming a scene for Labyrinth.

Walterpuppeteers

Puppeteers performing Walter from The Muppets.

Sesamstraat-BehindTheScenes-IeniemienieDuiker

Ieniemienie being puppeteered in front of green screen for a diving scene on Sesamstraat.

Puppetry is a very wide field. It encompasses a lot of different ways of operating hand puppets and marionettes and rod-control figures and people in black. There are many, many different techniques and... I feel that we can use them all. We try to use a lot of them. I believe in using any technique that will work for, if we’re doing television, for the shot we’re doing, or for film. But I’m not a purist in terms of what puppetry is, or what it should or shouldn’t be.

- Jim Henson [1]

Jim Henson and the Muppets often merged elements of traditional puppet techniques and modified them for use in television and film. One example of this is the use of multiple performers dressed all in black operating a single character. On the documentary Inside the Labyrinth, Jim Henson makes note of this style of puppetry, saying that "velvet is probably the blackest fabric that you can use, so that's what they had to wear." If the lighting is just right, the performers dressed in black velvet become almost invisible when in front of a background of black velvet. Often times, this background is then replaced by superimposing another background over top of it. This allows a character to be seen from head-to-toe, and move about freely, without any puppeteers visible. Henson described this process in the same documentary, explaining, "We shot the puppets first with a computerized camera and then we removed the black velvet and shot the background, using the computer to make the camera move at exactly the same speed and so forth. Then all of these elements were put together later in the laboratory."

This style of puppetry is based on Bunraku, which is a type of puppetry founded in Osaka, Japan, in 1684. Traditionally, a Bunraku puppet is operated by three puppeteers. All three are dressed in black, but only one puppeteer shows his face during a performance. This is the performer who operates the puppet's head, a privilege which can take twenty to thirty years to earn. [2]

In an interview with Jim Henson, it was suggested that Bunraku was an inspiration for the Muppets. Henson corrected the statement: "No, I don't think so. ... Bunraku is a marvelous and fascinating art form and puppetry form but, basically, I knew nothing about it until I had been working for a number of years myself."[3]

A form of Czechoslovakian puppetry also involves performers that dress all in black. They perform in front of a black curtain with brilliantly colored puppets that are lit from the side and the top. This makes the puppeteer almost invisible from the audience. This style of puppetry is part of black light theater, and it has been used various times by the Muppets and The Jim Henson Company.

Both of these forms of puppetry have also been used against a blue or green screen. At times multiple performers are used to operate a single character. Other times, only a single performer is needed to achieve the desired effect.

Sesame Street

This form of puppetry is very frequently used on Sesame Street, especially during the show's Elmo's World segments. Dorothy imagines Elmo in various settings where Elmo's full body must be in view. In such instances, the puppet is referred to as "Active Elmo."[4]

It has also been used in creating the Sesame Street openings since 1992, and for a time helped to create the "Journey to Ernie" segments. These techniques are used to help Bert dance when he's "Doin' the Pigeon," and brought Baby Tooth and the Funky Funk to life.

See Also: Elmo Variants

The Muppet Show

These techniques were used numerous times on The Muppet Show, such as when Gene Kelly taught Kermit how to dance and the "Friendship" number from episode 519. Certain characters on the show such as the Clodhoppers, the Gawky Birds, and the Bossmen are almost always performed against black velvet, enabling them to dance with that week's guest star. Brian Henson discussed the way they're operated in his introduction for episode 424.

On occasion, sketches on The Muppet Show which used “Bunraku” techniques did not always effectively hide the puppeteer. During the “Disco Frog” and “Octopus' Garden” numbers, performers briefly become visible on screen.

Movies and Specials

For The Muppet Movie, an elaborate sequence using Bunraku-style puppetry was staged in which Kermit and Fozzie would dance their way out of a jam at the El Sleezo Cafe. The end result appears almost effortless.

In the documentary Inside the Labyrinth, Jim Henson explained the process involved in developing the wild antics of the Fireys: "When we first came up with these characters, we didn't really know how they would move. We had to put a series of puppeteers working with them just to figure out how they would move, what they were capable of. We tried manipulating them in different ways... We found each way of operating them would create different kinds of movement." At least three puppeteers were used on each of the Fireys to create their movements.

For the Creature Shop film The Adventures of Pinocchio, several different puppets were built to create the illusion of a puppet who had cast off his strings. One of these, considered one of the most difficult puppeteering tasks on the film, was a rod puppet based on Bunraku puppets. Up to five puppeteers would perform the character, oftentimes each puppeteer would be responsible for only one limb at a time. This version of the character was shot against a blue screen with the control rods all painted blue and the puppeteers dressed in blue body suits. Director Steve Barron spoke of the advantages of this puppet, explaining, "John Stephenson told me that we'd have to get the puppeteers as close to the body of the puppet as we could, and he was right. We had them six inches away from a leg or arm, and their performances were superb. But as we gave them longer rods or cables, then we lost all the subtlety." [5]

Fraggle Rock

The Jim Henson Hour

The Jim Henson Hour special The Song of the Cloud Forest marked the first time that the Henson Company shot an entire half hour show without a background. Instead, the set and all performers were hidden in black velvet. The velvet backdrop was then replaced, using computer technology, with a bright, colorful rain forest. [6]

Muppets Tonight

Appearances and Commercials

Sources

See Also